The Anecdote

I like to consider myself an advocate for diversity.  I enjoyed Temple University over Penn State partly for that reason but I was not prepared for the clash-of-worlds experienced at Ricketts Glen.  People who camp on Easter weekend are a combination of godless heathens, gentiles, and apparently Indian Americans.

An Indian American family camped immediately across from us and my head nearly popped when Lakshmi and Ritesh began singing Stephen Foster songs while the parents assembled their fishing gear.  Had the father pulled out a guitar while the kids were singing, my head may have popped.  Geez, America is good at pushing people through the sieve of US culture.

The Pictures

90% of the pictures I took were bracketed (a dark, normal, and light picture) that I later combined.

April 02, 2010-5-RickettsGlenWeekendAnd2more The tustle of roots on the opposite side is one of the sharpest things I’ve ever seen.  I’m not sure why.

April 02, 2010-11-RickettsGlenWeekendAnd2more While waiting for Pat to arrive, I took a lot of pictures of the sky.  Normally, HDR obliterates the blue of the sky.  I’m glad it was saturated enough to come through.

April 02, 2010-32-RickettsGlenWeekendAnd2more I scoffed at the announcement last week that the Falls Trail was re-opened as it was no longer covered in ice.  I thought this was a delayed announcement until I saw how much snow was still around.

April 03, 2010-167-RickettsGlenWeekendAnd2more I don’t know if I prefer the reality or the painting.

April 03, 2010-198-RickettsGlenWeekendAnd2moreSomehow the green looks like its attacking the camera.

I moved out the bulk of my personal stuff today including the wall of photos I’d printed and brought in.  Some people noticed how bare the walls were but not everyone took it so well:

Coworker: Why did you take the pictures down?Edit
Me:  I wanted to take them down while the weather was nice outside.
Coworker: I wasn’t done looking at them.
Me: They’ve been up for months.
Coworker: Now the wall looks empty because of you.  I’m glad you’re leaving.

March 28, 2010-1-blewittmergToday’s trip to High Rocks had me better prepared than last time.  I did some work on my shoes and replaced the battery sling on the Gigapan and set out.  My shoe laces broke and the Gigapan went apeshit, 0 for 2 so far.  So instead, I opted to practice some other techniques:

Thing 1 – Tonemapping

HDR (High Dynamic Range) photography is where one overcomes the limitations of a camera’s dynamic range (difference between brightest and darkest part of the picture) by taking multiple exposures at different light levels.  So, great, you’ve got an HDR image, the problem is that this simply passes the buck to our monitors which are also not HDR.  So one uses a process called tonemapping to compress that dynamic range.  Tonemapping can create something that looks closer to what the world looks like or blow it out to something a bit stranger.

So, here’s a starting picture:

March 28, 2010-16-Climbing

Here’s the tonemapped version:

March 28, 2010-16-Climbing_tonemapped

For starts you can simply make out more detail in the very bright areas (the sky) and very dark areas (rock crevasses).  Sometimes it just looks like you used a lightwash (flash) but the vividness is cranked up in a way adjusting saturation won’t manage.

So here’s a look at the types of tonemapping.  Here’s a source image:

March 28, 2010-164-Climbing

Here’s a trippy/acidy/blownout/overdone version that it sometimes associated with tonemapping:

March 28, 2010-164-ClimbingAnd2more

You’ll note that the very dark areas and very light areas are brought in such that the sky now appears less bright.

Here’s something more reasonable:

March 28, 2010-164-ClimbingAnd2more2

Tonemapping also has some limitations like when it’s rendered to jpeg.  Jpeg’s lossy and I should probably stick to TIF to reduce the compression.  The following image looks more apocalyptic and less poorly painted in the original.  I think the sky’s acceptable:

March 28, 2010-200-ClimbingAnd2more

I generally don’t like black and white photos and am not very good at taking them.  I don’t have the eye for color value which is what actually shows through.  Below is an exception:

March 28, 2010-146-Climbing-2

Here’s the root image:

March 28, 2010-146-Climbing

Here’s the tonemapped version:

March 28, 2010-146-ClimbingAnd2more

I think a little rotation made the photo a lot more interesting:

March 28, 2010-146-Climbing-edit

Action Merges

Action merges are where one takes many pictures of a particular action and merges them into a single frame.  This is a mediocre one of Mike Blewitt repelling:

March 28, 2010-1-blewittmerg

I did a sloppy job with merging the rope.

Here’s a better one of Sam climbing the face:

March 28, 2010-1-sammerge

Sam Lodise and I went to High Rocks State Park with Bill Schilling and his cohort and I was met with a cascade of fuck-ups.  I had somehow lost the top plate of my tripod, then I broke the battery cage for my panoramic base and finally nearly removed lost my testicles in my first fence-hopping experience in ages.  The paths about the rock face left little room for error and I was greeted in my attempts to move about with four falls in about 10 seconds.  I wanted the comic “about to fall” noise to play before the fourth flattening but no foley artists were present.  I skinned my elbow for the first time since I was 12 and had my first official photography war wound.

My most recent lens purchase was a 17-40mm f/4 which is a wide lens.  The edges have a bit of barrel distortion which leads to almost cheating when showing big things.

March 21, 2010-191-HighRocks

I was an idiot and shot all my 17mm pics with two stacked filters leading to vignetting so I’m robbed of about 15% of the grandeur.

I also test drove tonemapped HDR for the first time and sometimes the results are subtle:

March 21, 2010-4-HighRocks March 21, 2010-4-HighRocks_tonemapped

The first is the original for the tone-mapped second.  In other cases the results were a bit more dramatic:

March 21, 2010-334-HighRocks_tonemapped

The rocks weren’t nearly as colorful as depicted above.

The Lodge Banquet is rare among Scouting feasts as being a reasonable length of under two hours.  After many successful years, the Lodge Banquet had become a victim of its own success and was to be choked with “dignitaries”, “award recipients”, “speakers” and other such drivel that drives one’s patience to ruin.

This year’s banquet had an unusual savior: A power outage.  Not 5 minutes into the event, a tree near the dining hall fell and took out power just to that building.  Being the Order of the Arrow candles were deployed in under 15 minutes and the event resumed.  The 30 minute award presentation was cut down to 10 when the PowerPoint was removed and the shot to the head that would have been the chapter video competition was axed.  Overall, the event had a certain charm to it as the generator hooked into the building allowed some sets of lights to go up for a minute, blow a breaker, and then go out again.  I also had a chance to try ISO 12600 on my new camera which I’ve dubbed “21 MP cellphone camera” mode.

The peculiar lighting led to some interesting portraits.

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The 5D Mark II has some wonderful features or at least I assume so as I have no idea how to use them.   I excreted a sizable chunk of masonry on finding that most of my lenses didn’t work.  What was  I left with?  My 70-200mm zoom lens.   I went to the troop 5 banquet which as it entered its four hour I dubbed the Scoutathalon and babied my photogun until the Eagle Scout ceremony began.  When the lights dimmed and the event started everyone started taking pictures.  On camera phones, with point and shoots, by running down the aisle to get adequate zoom.  The camera+lens I had probably weighed more than every other device in the room and the shutter noise crowded out the artificial din of mock-shutters.  Heads turned, conversations stopped.  I won.

There was a problem though, getting shots of anything within 10 feet of me.  After the main event someone requested I take pictures of the recipients and I kept running to a problem as people would walk between myself at the kids because I had to be 30 feet away from them.  I lost.

My birthday gift this year is a little photography robot called a Gigapan.  One places a point-and-shoot digital camera on the base, calibrated the setup, and the stand will go to town and take a crap-ton of pictures and stitch them together with an the included software.  Here was my first test:


Use the zoom slider and your mouse to poke around.

The next two taken at Arcadia University came out a bit nicer. The one below is made of about 200 pictures.

My favorite was taken at an Arcadia hardscape and consists of 400 pictures or so and generated a 2.5GB tiff file.

These are nice, but still pales compared to others composed of hundreds more images.

Teejay had the novel idea of doing a “Where’s Waldo?” gigapixel take involving costume changes at a sports stadium or some other large venue. Who’s interested?

Chemistry is such a love of mine that I could bear to make it a career. The sheer power represented by the most elegantly arranged chart in the history of humanity provides a predictive power only exceeded by celestial mechanics and quantum electrodynamics.  The idea of extracting a living from that fact is somewhat romantic but the realities of industry mean that relationship was doomed.  Actuarial science provides possibly better dinner party conversation and the predictive capacity but none of the power.  Maybe spending time in a clock tower with a high powered rifle with a copy of the illustrative life table would do the trick but would come nowhere near the magic calculating enthalpy or creating thermite.

Anyway, I’d finished running a training session at camp when I met up with someone who took Woodbadge with me.  We exchanged pleasantries on how neither of us had done much on our Woodbadge tickets when he saw the camera stand on my backpack.

Him: Do you enjoy photography?
Me: I guess.  Recently I’ve been having more fun doing prints but I’ve been collecting pictures from the porch of Totem.
Him: Any luck today?
Me: Not really, there was too much snow in the way.
Him: I hate photography.
Me: Really?
Him: Yep.  I hate it so much I made it a career.  I saw some of the most successful people being the ones who reduced the art to monotonous checklists and I thought, “I can do that”.
Me: How has that worked out for you?
Him: I’m booked clear into 2013.

Well, then.

January 20, 2010-39-Macro

It may look like a piece of foam board but that’s a gem mint Zendikar card pulled from the pack.  I received a macro adapter that’s lens-mount on one side and threaded on the other so I don’t have to man-hand my arrangement.  That’s with a reverse mount 30mm lens at f/16.  The wider the lens the more powerful the macro effect so as the focal distance increases the objects focus further away.  Also:

January 20, 2010-54-Macro

I thought that the bottom was grainy until I zoomed in and saw that it was actually the reflection off of the gorilla pod I was using as a stand for the camera.  I tightened up my light stand, got a light table that someone was throwing out and used it to help even out the illumination.  I still think a mirror may be a better base, I need to try.

The other photos in the set showcase the changes in Magic’s printing pattern.  It’s interesting to see that there are actual areas of true whtle compared to the speckled white of most white cards.  Below the face from A-6th edition Wrath of God.

January 20, 2010-43-Macro

I tried slapping a zoom lens in reverse mount for more control but the zoom effect was much less as one picks a longer lens.  For instance below is a pen at 250mm.

January 23, 2010-6-macro

Much less imposing but with a depth of field thicker than a pubic hair.

Next gratuitous shot type: Coin

January 23, 2010-26-macro

Rest of stuff:

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