I had made a tongue-in-cheek promise to my hosts to provide replacement profile pictures and, as this was my last day with them, I hauled out my light mod equipment and started firing as Ashley played DJ Hero and Alex played… something else.

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Single-player games have their place but in the context of portrait photography they suck as the player is reduced to kinetic statuary.  Hands glued to fake turntable, eyes glued to depiction of a fake club, and ears glued to pedestrian scratch mixes I got 120 shots that were roughly identical except for lighting.  I later got one where I was much happier:

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It’s cheating to have the subject physically manipulate the light source but it usually works to get something a spot more interesting.  I stared at this photo a lot during development to the point where Alex asked me why.  I replied “because in the background you can make out the server stats page.  It’s photographic proof that someone uses it”.

Alex calls himself tough to photograph and I now know why. His musician reflexes allow him to sense incoming photons from a flash and flex unseen muscles to make him look awkward.  For example:

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Maybe that was staged…

Even after this, I think the shots I took while driving to Mitch’s on Thanksgiving where I had one eye on the road and the other on the rear-view mirror near to where I had positioned the LCD display on the camera in live view and physically moving the camera forward and backward to focus came out better.

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The iron law returns: If you want something to look interesting, don’t light all of it.

I went to bed at the crack of five looking forward to 1250 miles to drive on the way back home.

Everglades National Park is unique among world structures as it’s a 50 mile wide very slow fresh water river that goes from central Florida to the Atlantic.  I forgot that Florida was hot and tooling around the Visitor Center reminded me of such so I headed into the park looking for something more photogenic.  I stopped almost nowhere on the way in knowing that I’d have to take the same path out of the park but took a moment when no cars seemed to be coming to try to get a panoramic of the coastal prairie.  This is a not-quite-marshy area of glassland that runs in a large strip across the center of the park and is rife with what appear to be dwarf pine trees that, despite the surfeit of water, seem to be parched or fire damaged.

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Yes, normally panoramics don’t look like this, but photoshop did not enjoy the narrow pieces and blending didn’t turn out right.  I like effect and it reminds me of a deck of fanned cards.

I made it to the Atlantic coast and was reminded how unspectacular the ocean can be when the view is dotted with islands and the coastal plain only makes a slow march through the brackish waters of where the great slow river hits salt.

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Off to the left it looks like there’s an elderly person painting but don’t be fooled.  It was someone wrapped in a blanket simply staring at a blank piece of something that looked like foam board wrapped.

On the way back out, I saw the trees briefly part for a good view of one of the still places in the Everglades where enough silt had been deposited to stop the flow of water in that little region.  As I approached, I noticed I felt the sting of a mosquito and then looked to see a half dozen on my arm.  By the time I got the picture I wanted I had probably been bit 20-30 times and my blood pressed from the dead mosquitoes formed the photographic equivalent of war paint.

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Midway along the path leading through the coastal plain there’s an observation tower that rises about 2 stories above the marsh.  The view is almost barren but the stark simplicity is striking as this is a large dynamic ecosystem that is almost invisible to the human eye.  The board walk swarmed with people squinting with cameras, not sure of what to take a picture.

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If the lower right were cropped out, the terrain could be mistaken for prairie.

I headed to Biscayne National Park next, wanting to commission a canoe to take pictures in their coastal mangrove areas.   The manned areas of the park close promptly at 5 so my 5:10 arrival time was to a ghost town.  I walked along the beach dotted with people fishing and a slowly expanding slick of hydrocarbons from the docking boats.  A man was peppering a NPS fellow with questions and was happy to learn National Parks were BYOB.

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The facilities were nice, and the spray and scent of salt water was alien to me but the vast low waters of the Atlantic were inviting.

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If only I had brought a canoe.

On Monday, a coworker recommended I visit Edge River, New Jersey and take pictures of the New York skyline so I contacted Teejay Green and Sam Lodise and we left around 6:30 PM to capture the skyline.  This was our trip:

Le Trek

Or first stop was at KFC where we went through the timeless bonding ritual of eating a doubledown and then having to stop an hour later to use the bathroom.  We hit Hackensack and started going south until we hit a nice spot in Union City with both a Ben and Jerry’s and a Starbucks and a health peppering of well-dressed people with tiny dogs.

We took pictures and these were my best:

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We drove a bit further south, and then into Brooklyn, and then through Manhattan, and then home.  Some time past Jersey City Teejay started googling New York City Skyline and we found that every shot of the skyline is pretty well taken from the same inaccessible spot below the Manhattan Bridge.  Having driven by that spot, and seeing that it’s surrounded by construction, we agreed that we either needed to rent a helicopter, or gain the ability to scale chain link fences.  The former is far more likely.

I did a backup of Crew 507’s photos to have an offsite backup and to do some photo-juju for some end of season staff gifts.  There were about 3500 photos (which seemed small to me in that it didn’t look like any were deleted) and this would come out to well under a hundred a day.  The 20k staff photo requires a magnifying glass to make out and the 50k test had barely visible cells even with a magnifying glass.

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The title bar at the OSR webpage changes randomly with each page load with a new 150×1300 image.  This is a very odd aspect ratio but sometimes photos turn out well in this very horizontal focus.

Original before crop.

Then:

Cropped version of the above.

I this works pretty well.  Other times, it fails spectacularly and in a way I don’t know until after I do the upload.

Good left-to-right focus across the kids, extraneous stuff at the top and bottom, what's the worst that could happen?

This:

Big Brother is Watching You

For about 4 hours the above image could have possibly greeted anyone going to the OSR page until I nearly shat myself on experiencing it.

I spent some time today using my cheap light box to take shots of stuff I want to get rid of and got the following shots. Everything besides the video card ($140) and lenses ($375 and $175) are free. Please contact me if you’d like something.

I wanted a light box to take some pimp product shots for stuff to post on eBay and Craigslist and looked into getting a light box, a photography tool to give a nice shot of stationary objects.  Kits can be purchased for $60 or so but wanting to save money I considered my options and did the most reasonable thing: Called Teejay Green to see if I could borrow his.   After getting childishly impatient I attempted to make one using a cardboard box and tissue paper and created something that looked like a hobo Helen Keller doing paper mache in a dumpster.  I threw out that attempt and created a new one using a pillow case and a slightly bigger cardboard box lined with paper.  This one looked like a box that decided to dress as an inside-out refrigerator and also met a swift garbage death.  Finally, I decided to drop the half-ass work and picked up nice foam board, good paper for a back drop, a nice cutting tool and real tissue paper as a diffuser. The results weren’t quite where I wanted them so I sprung for some extra light bulbs and desk lamps.

Total cost of my “cheaper” option: $65.00.  A full negative five dollars cheaper than the commercial option.

Sam wanted to do some lightpainting with lightsabers and my bottom driveway hosted what happened.  As with other lightpainting, the images don’t receive postprocessing.  Sam had picked up some colored wands reminiscent of usher’s wands.

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I was impressed that Sam could pull off a lightpainting photobomb.

The other key item was the addition of lightsabers yielding the following simple long exposure.

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This was a rare shot in this sequence where neither I fall over nor does Dave look like he's dropping the lightsaber.

When we saw how Dave was cut out from the saber wipe we opted to try to extend that.  Technique-wise, Dave stood still and I did a wash with the wand behind him.

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I like how the light appears to cut a plain through him.

I probably deleted more shots than I should have but the following was the “best”.  Some had more energy to them but weren’t nearly as clean.  This should be revisited.

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There was one with me taking a cell call in the middle.

After Dave left the shots got much more limited as we no longer had the 3rd set of hands.  In previous attempts at lightwriting we ran into a problem of writing backwards.  These shots came down to our ability to write backwards but a simpler solution popped up: mirror the image from left to right.

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I was cool and wrote 'justice' with mine.

We’ve still got a long way to go before matching these folk but we’ll get there.

This weekend’s shooting challenge with Sam and Teejay was lightpainting where one uses a long exposure and various photo-emitting and/or blocking tools to create an image in camera.  I arrived at Teejay’s house after attending a TF2 event where someone got inebriated in under 10 minutes and they were cutting out cardboard of a stormtrooper with what I describe as the Pringles guy moustache.

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Sam taking it in the pooper from a stache-having light-based stormtrooper.

The above was done in three parts, first using an off-camera strobe to generate the stormtrooper through a cardboard cutout with the light being funneled with a cardboard hackjob, then drawing the figure, and then a pilot flash to capture Sam .

Another technique was light-writing which is kinda shown above but what is better shown below:

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So close. Just one dot outside the wings.

This was done with a long exposure (like 22 seconds) while Erin stood in place as Sam did work with a restricted flashlight to do the wings  Erin was filled in with two pilot flashes from another strobe.

My creative contribution was the odd aura-ish crap below:

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He blinked, jerk.

This was done with the flashlight shining directly on the person with a dinner plate behind it to be a reflective surface to generate the whitishness (is that even a word?) of the outline.  If I did it again, I would have added a bit of a fill flash.

Sam left around 4 AM and Teejay and I twaddled for a few hours.  He realized that we didn’t  really accomplish anything in particular and drew up a list of crap to get for next time.  This has happened before with graffiti-ing magic cards and it may happen again: I’m going to go into a Claire’s.

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Where possible, I try to keep my transactions above board.  I buy copies of software I need if it’s retail and my attempts to legally consume blu-ray movies have been well documented so I didn’t get to work on any of the photos I took Saturday until my new software key arrived Monday, something I could have avoided if I just pirated Lightroom 3.  My confirmation email arrived around 2 and I set to work.

I’ve taken action sequences before:

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These were all done through a masking method whereby you align a bunch of photos and punch through with the portions of each photo you want to appear on top.  So in the above, I brought each photo in as a layer in photoshop, used the auto-align feature to fix any oddities in the camera, and created a negative mask (all black) for each layer except the background, and then took a white brush to push through the parts with the appropriate pose.  This method was how I made these:

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The splash is a separate frame from the one where Jordan's feet hit the water

To do the above I had to zoom in on the splash frame and mask out the portion of where Jordan makes impact.  This was terribly tedious and if you zoom in I think I took out chunks of his shoulder and abdomen.

I wanted something easier so I decided to give the magic wand tool a try.  The magic wand tool popped up years ago and is a contrast-sensitive selection tool that selects everything that looks alike along a certain gradient.  Sometimes this doesn’t work if there’s a smooth gradient between the subject and background, but here I think it’d work well.

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Pretty strong contrast

I was very happy with the results that took maybe a 1/5 of the time of the previous method.

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The tolerance here was set to about 70%

Additionally, it’s something you can do in Paint.NET.

If I had the presence of mind to do it, I would have had the swimmers do various things in different parts of the water and stitch it together to make it look like the body of water was filled with people.  Darn.